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Amit Mishra concludes the album with Majboor Tu Bhi Kahin with which a listener is back in the earlier space that had been created by Chirantan. The track has very minimalist background soft music and grows while also bringing Amit’s voice in the forefront. Manoj Yadav’s lyrics are dripping in sorrow and Amit’s vocals do justice to that.
Overall, there are five tracks in the album and out of that four depict and portray a similar kind of emotion in different voices. Though all of them have their own highs, for those looking for variety the soundtrack may become a little heavy due to similar space and setting. Musically though, Chirantan Bhatt has given some really good tracks and now one looks forward to what the composer has to offer in films which require much more varied emotions through its songs.
By this time one realizes that this is a male dominated album though Mahalaskshmi Iyer does come to fore with Khud Ko Tere which arrives next. This song changes the tempo and mood of the album. Till now, each of the other tracks had modern/urban instruments and rhythm; however this one takes you back to the time of 90s and early 2000. This one has a very Nadeem-Shravan style to it and lyrics by Shakeel Azmi make you believe so as well. Only those who still follow that style of music from the era gone by would be okay to find this one in the middle of an album that otherwise carried a very today’s style.
After Arijit Singh it is KK who makes a high note entry in the album through Jaavedaan Hai. This makes it a hat trick for the lovelorn passionate solo tracks in the album. Each one of it has its own depth and is adorned with great voice. Sussane Demello is vocally visible with her voice and helps in accentuating the effect of the song. Shakeel Azmi’s lyrics are apt which manage to settle with the music and atmosphere of the album.
Arijit Singh is riding high after the success of Sanwali Si Raat [Barfi!] and delivers another treat in the form of Uska Hi Banana in this album. His bottomless voice with the music creates wonders in the track. Music here is very passionate and conveys emotions ardently in the track. Junaid Wasi has lent attractive lyrics which suits the song’s mood. This is one of those compositions which would stay on with you even after the album is over as it has it in it to make you hear it again and again on those lonely moments.
(Says immediately) I started observing a lot of animals. In fact I actually saw a lot of videos on YouTube where these cats, lions and tigers fought it out with each other. If you notice my act in the film, quite a few expressions of mine have come from these deadly animals. The way they growl or the look they give when on the hunt or their faces turning really scary with narrowing eyes and all; all of it makes for an unpleasant sight. This is what makes my character as well and you can say that these animals have actually helped me perform for the film. Resultantly, I developed an animal instinct.
(Smiles) Yes of course, I closely followed manly walk and gestures as well. In fact in the film, my body language is very manly. So due to animal instincts and a manly behaviour amalgamating, you would see no Tia Bajpai in the film. On the contrary there would be this badsoorat sa aadmi jo kisi ko bhi khatam kar sakta hai.
Now that’s quite a shift for you. After all, in ‘Haunted’ you played this tormented soul which was wandering for decades and hunting for redemption. Even in ‘Lanka’, you played a young doctor who was oppressed by local Mafia don (Manoj Bajpai). So in ’1920 Evil Returns’, it must have been a guilty pleasure for you to pick up the mantle and scare people around you, right?
(Laughs and says animatedly) Yes, the evil has returned with me this time around and I am in troubles more than just one. If losing my memory wasn’t bad enough, I also get possessed. There are mysterious circumstances in which Aftab finds me near a lake and it is only after bringing me home that he realises that he had a possessed woman at his disposal who had also lost her memory. Uske baad main kya dhamaal machati hoon, woh aap khud picture mein dekhenge!
When we had talked to the leading lady of the super hit, HAUNTED 3D, about her upcoming film 1920 - EVIL RETURNS, about a couple of months back. She had said, "1920-EVIL RETURNS is not a sequel to1920, but yes, the film is set in the same year."
However, till that time the stunning poster of 1920-EVIL RETURNS was not released, but when the first look was revealed, it shocked not only us but all the fans of Vikram Bhatt horror films, to see the very beautiful and innocent Tia Bajpai look so very scary. And naturally so, because unlike the trend nowadays to look sexy and glamorous, Tia (who is blessed with a very innocent face) has decided to keep her natural looks, so the transformation was even more shocking.
To know the 'raaz', (secret) behind this drastic transformation, we called up the unassuming Tia and she said, "The entire credit for my look goes to the team of 1920-EVIL RETURNS, and especially Vikram Bhatt. I just cannot ignore the contribution of my make-up man too. I simply followed their instructions. I must also thank my co-star, Aftab Shivdasani, who was very understanding as it took hours for me to acquire the get up, and it tested everyone's patience. I am happy that the effort has paid off."
Well indeed, not only is the film getting hyped but even the music is making a mark, and will surely reflect in the opening of the film when it releases all over on November 2, 2012.
Producer Vikram Bhatt is back with 1920 – Evil Returns, a quasi-sequel to his earlier flick 1920. It is expected that music from the Bhatt camp has to be passionate and emotional. Their trademark style is embellished in all their movies and this one is no different, more so with the film belonging to the horror thriller genre. The makers have chosen Chirantan Bhatt, music director of Haunted, to do the needful and just like some fabulous music that he had composed there; he repeats the act this time around as well.
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